All Items Must Be Returned
She was given the planner before she was given the address.
It was plain—a soft gray cover, no branding, no year on the front. Inside, each day had already been divided into narrow blocks, every hour waiting in its place. No holidays. No names.
“Everything you need is in there,” the woman told her.
She nodded as if that settled things.
She had signed the papers. She had said yes.
Bravery had seemed cleaner before the ticket.
She told herself the excursion would set her up for life—better than ending up trapped in her family’s cramped patterns, everyone circling the same disappointments and calling it normal. Marriage. Children. Need. The whole inheritance. At least that was what she had always claimed to hate.
The condo sat above a pizza shop that never seemed to close. Before she climbed the stairs, she could smell yeast, scorched cheese, oregano, something faintly sweet under the salt. The smell got into her coat before she stepped inside. Yeast and scorched cheese felt more honest than vanilla frosting or sugar-cookie candles, someone else’s idea of comfort.
Her key waited in a lockbox.
Her name was written on a slip of paper taped inside the door.
The apartment was small but complete. A narrow bed. A table pushed against the window. A closet with enough hangers for a week’s worth of clothes. On the counter sat a single envelope:
Year One.
Inside was cash and a second sheet of paper listing her job, her hours, and the name of the shop downstairs.
She stood at the window that first night with the envelope still open in one hand. From up there, nobody was looking for her. The pizza shop door swung open and shut beneath her, sending laughter and bursts of heat into the street.
She touched the glass with two fingers. Without thinking, she wiped away the print she had left.
She went downstairs.
The heat pressed close. The pace ran too fast. Her hands burned against trays and came away smelling of garlic and flour. Everyone else seemed to understand things before they were spoken—where to stand, when to move, how to hear a half-shouted order and know what was missing. Her shoulders climbed toward her ears. She kept forgetting to breathe until her lungs forced the issue.
When she got stressed, her fingers sometimes lifted at her side and tapped invisible letters into the air, as though an unseen keyboard might arrange her thoughts into something manageable. Once, waiting for an order to come out of the oven, she caught herself spelling the same word three times into nothing and dropped her hand, glancing around too quickly to see if anyone had noticed.
The kitchen kept moving.
By the third week, the smell greeted her. Dough slapped the counter. The oven door opened and exhaled. Orders were shouted half-finished and understood anyway.
Hesitation had a smell. Burnt.
There was a boy who worked the late shifts.
At first she only noticed parts of him: a shoulder passing behind her in the narrow kitchen, a hand reaching past hers for a towel, the low sound of his voice at the register when the line thinned near closing. When someone asked him a question he had not expected, he bit the inside of his cheek before answering.
Near closing, when the last customers lingered too long over empty paper plates, he would clap his towel against his palm and say, “All right, folks, you don’t live here,” dry enough to make people laugh while they gathered their coats.
She stared at him sometimes without meaning to. Once he looked up suddenly and caught her. She looked away so hard it made her neck hurt.
“Do you like it here?” he asked one night after close.
He was wiping down the counter when he said it. He kept his eyes on the rag.
“I’m trying to,” she said.
A small smile tugged at his mouth. “That bad?”
“No.” She surprised herself by laughing. “New.”
After that, he started saving her the last slice when they closed. Always the one left too long under the warmer, cheese settled back into itself, crust firm enough to resist.
Eventually he would reach up and switch off the neon pizza sign. At first she stood there alone. Later, sometimes, he stood there too.
She was careful even then. Half in, half out. She let him close enough to matter and kept back the part that might have made it real.
The first time she touched his head, he was bent over the prep sink after washing up. She passed behind him, close enough to smell dish soap and the faint trace of cologne beneath the flour and heat, and let her hand move over the soft shadow of his hair before she could stop herself.
His mouth stilled.
When he turned, he looked so unguarded it made her want to take the hand back.
The instructions arrived three days before the end.
A sheet of paper slid beneath her door.
All items must be returned.
She started with the easy things. The clothes she had bought because the old ones had not suited the work. The shoes worn soft at the heel. The extra blanket she had chosen on a cold walk back from the store.
Then she came to the hoodie.
It had been left draped over the back of her chair after a night that stretched past closing into something quieter. Dark, soft, heavier than it looked. She wore it after he left, then again when he wasn’t there. It still smelled of soap, skin, and the cologne she noticed only when she stood close.
She lifted it to her face.
The closed kitchen. The red glow of the sign. His shoulder against hers at the window.
She sat down on the edge of the bed with the hoodie in her lap and rubbed the cuff between her fingers as if delaying by ten seconds might change anything.
For one ugly human moment, she thought: They won’t know.
And underneath that: I could stay.
A shop downstairs. A boy who saved her the last slice. Her name written where someone would look for it.
She folded it anyway.
Put it in the box.
The planner was nearly full by then—corrections, shift changes, grocery lists, tiny notes in the margins where she had worked out which buses ran late and how many slices were left at close on Thursdays. She closed it and laid it in the box.
Downstairs, the shop was still open.
She stood at the top of the stairs longer than she meant to. The door below swung wide. Laughter spilled into the street. Through the front window she could see the blur of motion, the warm yellow light, the familiar red neon still humming.
She considered going down.
Her hand tightened on the railing.
She stepped back.
Picked up the ticket instead.
Year Two
The bus dropped her at a strip of dirt along the road. The house stood farther back than she expected—small and white, a bike against the porch. Beside it were a fenced garden, a greenhouse with hazed glass, and a quiet hen house.
Inside, everything had been arranged in advance. On the table sat a binder.
Thick. Labeled in careful block letters:
YEAR TWO
The first page was simple.
Welcome.
The next opened into diagrams. Timelines. Tabs down the side in neat increments. Hive Maintenance. Seasonal Shifts. Extraction. Greenhouse Care. Hen House.
She closed it again.
Outside, the air moved differently from city air. She heard the bees before she saw them.
A low, steady hum.
The first sting surprised her. She dropped the frame and backed away too fast, one hand already at her arm, a wild thought flashing through her—What if I’m allergic? What if this is how I find out?
She waited for dizziness, swelling, some sign that the sting had opened into something worse.
The pain stayed sharp and local.
“For shit’s sake,” she muttered, though she could not have said whether she meant the bee or herself.
By the end of the first week, her hands had already learned a different kind of movement—slower, more deliberate, less defensive.
Her shoulders dropped first in the greenhouse.
Warmth closed around her so gently the first morning she almost cried from relief. Damp soil, green stems, the rich rot of growth underway. Basil thickened the air near one shelf. Moisture beaded against the glass.
She started going there in the mornings before the hives.
The garden and hens came after that. Watering. Checking soil. Collecting eggs still faintly warm in her hand. Tomatoes split fast if she left them too long in the heat. Dirt stayed under her nails.
She told herself sentiment had no place in a hen house. They were hens. That was all. Still, there was one smaller than the others, quick and suspicious, who liked to disappear and lay in inconvenient places.
In her head, she called her June.
The name stayed there.
When stress tightened in her, her fingers still sometimes tapped invisible letters at her side. Out there, though, the habit began to thin. Once, while prying apart a frame, she caught herself murmuring to the bees.
“Easy,” she said. “I know. I’m slow.”
She glanced around, embarrassed, with only bees to witness it.
One afternoon passed in silence. Hives to greenhouse to garden, accompanied by wings, wind, and the dry scratch of straw.
The instructions arrived three days before the end.
All items must be returned.
The box was already waiting.
The binder sat on the table, its margins filled in her handwriting: Move slower in cold mornings. Don’t trust the quiet before a storm. Check the smallest hen first—she hides eggs.
She ran her hand over the cover.
Placed it in the box.
The greenhouse was harder. She stood inside it with the door half-open, breathing in the dense smell of soil and leaf and moisture held against glass. One tomato had split on the vine overnight. She touched the opening with one finger, then went to the hen house.
An egg lay warm in the straw.
She carried it to the kitchen and set it beside the sink.
Before leaving, she laid it beside the fence.
When the bus came, she climbed on without looking back.
Year Three
The house was larger than she expected. White walls. Pale floors. Glass doors stretching across the back of the house. Beyond them, a pool lay flat and blue in the heat.
Inside, quiet lasted a moment.
Voices arrived first. Running feet followed. Then bodies.
Children moved too quickly to count with confidence. One came straight toward her as though she had already been expected and approved.
A woman appeared at the top of the stairs.
She was beautiful in the way magazines liked women to be beautiful—composed, toned, untouched by whatever the day had already done to everyone else.
“You’ll follow the schedule,” she said.
A sheet was handed to her.
Printed. Color-coded. Every hour accounted for.
The first day never really ended. Breakfast bled into cleanup. Cleanup into dressing. Dressing into arguments over shoes, missing pencils, the wrong cup. They scattered. Returned. Demanded. Interrupted. Pulled at her from different directions until she stopped trying to meet every need at once and started choosing which one would break the loudest if ignored.
The smallest one clung.
A little body wrapped itself around her shin while she was trying to carry plates. A hand closed around her sleeve when she needed both hands free. Weight leaned into her without warning.
The first few times she lifted the child, she did it stiffly, aware of elbows, slipping socks, the surprising heaviness of another person trusting her without question.
Some afternoons she looked at the pool because it never called for her.
One afternoon, the smallest child was napping, the others were occupied, and the mother sat near the pool with her sunglasses pushed into her hair. Without them, her face looked younger and more tired.
The girl carried out a plate of cut fruit and set it down between them.
They watched the pool awhile.
The girl heard herself ask, “Do you ever get tired of being looked at?”
The mother turned to her. Truly turned, perhaps for the first time all year.
A small, humorless smile moved across her mouth. “Constantly,” she said. “But I built a life that depends on it.”
She put the sunglasses back on, and the face of the family returned.
Later, the smallest one wrapped both arms around her neck when picked up, cheek landing against her shoulder with complete trust. At first the constant need exhausted her. Later she found herself missing it when the child was asleep.
The instructions came on schedule.
All items must be returned.
The schedule sheet was still pinned to the wall. She peeled it back and placed it in the box.
Down the hall, a voice called, “Where is she?”
The smallest one appeared in the doorway, sleep-creased cheeks, one sock twisted halfway off. She crossed the room and wrapped herself around the girl’s leg.
“Stay.”
The girl knelt because standing had become impossible.
“I can’t.”
The child heard the voice and tightened her grip.
Relief came first—fast and shameful. The noise, the need, the constant touch were about to end.
Guilt followed.
She rested a hand on the child’s back.
Warm. Heavy for her size. Real.
She stood before she could change her mind.
Year Four
The house seemed to belong to something larger than itself. Rooms opened into other rooms. Covered outdoor spaces blurred into indoor ones. Voices were already inside before she stepped through. Pots clinked somewhere out of sight. Someone laughed.
They greeted her all at once.
Tone and movement reached her first. A hand on her shoulder. Another pressing something warm into her palm—bread, fragrant and soft.
The table was bare.
During the first week, she listened for pattern. Which words came before food. Which gestures meant come here, sit, pass that, wait.
Once, from across the kitchen, the matriarch looked at her with theatrical pity and said something that made three younger women grin into their hands.
She smiled too, half a beat late.
Later, one of the girls, the one closest to her age, tapped her chest lightly and translated in fragments.
“Lost soul,” she said, amused. “She says you walk around like a lost soul.”
It stung.
That first night stung more.
All day she had expected someone to show her a room. After the ache of the day settled into her back and eyes, the main living space changed shape: mats spread across the floor, blankets shaken open, pillows passed hand to hand.
This was where she would sleep.
She lay stiffly beneath the dark rafters while voices softened into murmurs, then sighs, then breathing. She wanted, suddenly and with humiliating force, a door. A cheap hollow door. A lock she could turn.
By morning, she began shadowing people. She followed the women into the kitchen and out again, carried what was handed to her, learned that meals were always together and always loud, and stayed afterward to wash, dry, and put away.
Speech took longer.
Her first full phrases came out in a nearby park, practiced on strangers during the first weeks. Mistakes were easier with people she would never see again.
The matriarch noticed.
One evening, after the girl answered a question quickly enough that the others turned in surprise, the matriarch let out a soft laugh and crooked her finger.
“Come here, my little lost soul,” she said in the language the girl now understood well enough to feel it change.
The room laughed with them.
At night, the room of women became part of sleep: shared breathing, the rustle of someone turning over, the occasional laughter quickly smothered beneath blankets.
The instructions came as they always did.
All items must be returned.
The clothes were shared, worn, passed from hand to hand with too little concern for ownership to make sorting them emotionally simple. The money envelope felt absurd, mostly full. She placed it in the box without counting.
She stepped outside with the box.
The matriarch came close and put a hand against her cheek.
Warm. Brief. Certain.
She drew the girl in at the shoulder the way she might have done with any daughter passing through the room.
“My little lost soul,” she said softly.
The girl smiled before grief rose high enough to interfere.
When she turned back, her eyes went to the people gathered there.
Year Five
The air changed before the vehicle stopped.
Drier. Thinner.
At first there was only land. Shapes began to rise from the earth itself. Low structures, half-shadowed in the early light, blended into the terrain.
The place looked revealed.
An older woman approached from the far side of the space.
“You made it,” the woman said, and something in the words unsettled her by sounding like welcome.
The woman led her into a long shared studio where light entered from several directions at once. The room smelled of dust, paint, sun-warmed fabric, metal, paper, and something mineral she could not immediately place. Women were already working—writing, stitching, shaping wire, working clay with wet sure hands.
“What do you make?” the older woman asked.
She stared at her hands.
The woman nodded and moved on.
For a moment she waited for instructions and hated how badly she wanted them.
She began with pottery because the women at the clay table looked so certain with it. She sat among them one morning and tried to center the clay the way they did. Her palms pressed too hard, then too lightly. The shape wobbled. Sank. Rose ugly and lopsided. She tried again. The second attempt collapsed faster than the first.
On the third, frustration rose so fast it shocked her. She yanked the piece from the wheel and flung it aside. Wet clay struck the floor in a ruined slap.
Everything paused.
She stared at the mess, pulse hammering, then crushed what remained on the wheel, as though meanness alone could force it into shape. To her horror, she began to cry.
Not gracefully. Clay on her hands, tears on her face, brown streaks across her cheek. Her shoulders locked. Her breathing went wrong.
The women gave her room.
One slid a rag within reach. Across the studio, the older woman said, “So. Not clay.”
A few smiled with the recognition of people who had survived the same frustration.
After that she reached for paint.
At first she used the brushes because everyone else did. The brush put too much distance between her hand and what she meant. One afternoon, she dipped one finger into color and pressed it to the canvas.
Old habits sent her eyes around the room.
The studio kept working.
Her hands took over. She painted with fingers and palms, smearing light, pressing color, dragging lines that wavered into shape before she understood what they were becoming.
She began humming while she worked. Halfway through, she recognized a child’s song she had used years ago to soothe small hands and a heavy head on her shoulder.
Her hands stopped.
The song stayed in her throat.
She kept going.
When she finally stood far enough back, she saw what her hands had been making. A window, or something like one. Bright with color and light, though no single source explained it.
Inside were traces she recognized: a warm red-gold glow near one edge, fine repeating structures almost like comb or hum-pattern, a woven softness in darker blue, green that had no reason to smell like basil and yet somehow did.
“You already know,” one of the women said quietly when she found her standing in front of it with paint still drying on her hands.
This time, she kept her eyes on the painting.
The instructions came on the final morning.
You may choose.
Five locations were listed.
She knew them from the names alone.
The city with its yeast and neon and the boy who saved her the last slice. The hives, the greenhouse, the hum that had become a kind of weather. The white rooms and pool and the weight of a child around her neck. The communal house with bread in the air and the matriarch’s hand against her cheek.
And here.
She marked her choice.
She stepped inside. Hope rose before she could stop it.
Her work remained propped where she had left it.
She moved toward it carefully.
Stopped.
The tables were bare. Chairs pushed in. The studio held its light and little else.
Her canvas remained.
Thread, pencils, voices—gone.
She lifted a hand toward the painting and let it hover there.
Outside, the land stretched wide and open. Somewhere far off, a bird crossed the pale air and disappeared.
She stood there a moment longer, then turned and walked out carrying only what she could not set down.
—Tonya Snyder